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In a room full of design geeks, it was ironic that we unanimously agreed to go with a design that defied lots of what we had found in textbooks, and in design precedent’s set by previous editions. Guidelines like, “Don’t break the spread,” “Don’t use angled columns,” and “Avoid reversed text grab my essay review,” have been all ignored on this design. Lead by a crew of daring editors eager to stray from those rules we’d inherited, we designed our means out of convention and into an aesthetic distinctive among the catalog of the magazine’s 30-year historical past.
